written by Carolyn Parkhurst
This tale is of a university professor and linguist named Paul Iverson who marries a quirky, artsy woman nine years his junior and who loses her, tragically, under mysterious circumstances. He comes home from work one day to find his wife dead in the back yard, at the base of an apple tree. No witnesses - not even neighbors or passersby - have any clues as to what happened, and only the couple's dog, Lorelei, was present at the time of death. Iverson finds himself on a desperate mission to tap into the dog's knowledge of what happened, and he takes a sabbatical from his job in order to teach Lorelei to communicate. The story follows him through months of reclusive research, encounters with a psychic hotline, and a brush with a criminal and cult-like subculture that performs bizarre and cruel surgeries on dogs to teach them to talk.
It sounds kind of weird, and it is, but overall it's actually not a bad novel. The wife is a heartbreaking but fascinating character who is brilliantly creative and spontaneous, and who apparently suffers from depression and maybe some sort of mood disorder. I wonder if the author had some exposure to someone like Lexy in real life. It is painful to read at times - I guess more so if you have known anyone with depressive tendencies or if you've ever (spoiler warning) lost anyone to suicide.
One piece that I thought was really artfully done was the parallel plot of Lexy's career: she happens to be an artist who specializes in making sculpted masks, and throughout the book, her work is often expressive of some of the tensions and struggles she is battling. Another thing I appreciated about the book is that it does not have a tidy, buttoned-up ending. It is sad and haunting and makes you think. On the down side (and yes, I know I'm no Jane Austen), parts of the novel seemed a little amateurish. The psychic hotline stuff was just hokey. And the characters in the dog-maiming cult were very cliche and not well developed. The biggest thing that bothered me, though, was that you find out in the last 75 pages or so that the husband knew a critical piece of information early on, which wasn't shared with the reader but would've made the reader feel completely different about the entire story. That felt manipulative and to me, and it really cheapened the story to almost a dime-store-level.
Still, the book was a good read-in-the-car book on the way to Maryland; it certainly beats looking out the window at Ohio for two and a half hours.
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